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Violist Cathy Amoury is a teacher, performer, and chamber music coach in the DC area. She attended the University of Texas in Austin and the Aspen Music Festival. She studied with Donald Wright, Atar Arad and Harold Coletta. Cathy performs with the Arlington Symphony, the Alexandria Symphony, Baltimore Concert Artists and Baltimore Opera, and has appeared at the Wolftrap Festival and Kennedy Center. She toured with Yo-Yo Ma and the Silk Road Project in 2001.
Violinist Brenda Anna attended the Peabody Conservatory, where she studied with Yong Ku Ahn,Charles Libove, and David Geber of the American String Quartet. She has also studied and participated in workshops with Elisabeth Adkins and Arnold Steinhart. She currently serves as concertmaster of the Columbia Orchestra and is a member of the National Philharmonic. In addition, Brenda is a busy freelance performer in the Baltimore/Washington area. An avid chamber music performer, Ms. Anna plays with the Columbia Orchestra Piano Trio and has worked with the Dickinson Piano Quartet, the Gallery String Quartet, and the Riversdale Chamber Ensemble, which she also manages. Ms.Anna has performed as soloist with numerous local orchestras and teaches in her private studio.
 

Cellist David Bakamjian performs regularly as a recitalist, ensemble player, and recording artist on both modern and baroque cello. In addition to appearances in New York's premiere concert halls, he has appeared several times on National Public Radio and WQXR, and was a winner or finalist in four international chamber music competitions. As a member of the Casa Verde Trio, he completed six critically acclaimed national tours and a month-long tour of China. He has performed as soloist with the Allentown Symphony, Philharmonia Virtuosi, Beijing Symphony, Early Music New York, Bachanalia Festival Orchestra, Musica Bella, the Hunterdon Symphony, and the Lehigh University Philharmonic, and he has served as principal cellist for numerous orchestras. On baroque cello, he performs with Concert Royal and the American Classical Orchestra, and he was principal cello of Early Music New York for several years. He is a founding member of the New York Classical Quartet and of Brooklyn Baroque, whose CDs were deemed a “must buy” by the American Record Guide. A dedicated teacher, he directs the Summer String-In, and the Play Week chamber music workshops for adult amateurs. He earned his B.A.at Yale, and his Master’s and Doctorate degrees at SUNY Stony Brook, and he was a faculty member of Lehigh University for eight years.
 


 
Phillip Coonce, violinist and violist, has studied with Leonard Felberg, Hiroko Yajima, Felix Galimir, Blanche Moyse and Raphael Bronstein. He earned a Bachelor of Music from the University of New Mexico, a Master of Music from SUNY at Stony Brook, and a Doctor of Musical Arts degree from the Manhattan School of Music. He has performed with the New Jersey Symphony, Brooklyn Philharmonic, the Hudson Chamber Players and the Martha Graham Ballet. Dr. Coonce is former member of the New Mexico Symphony Orchestra and the Right as Rain Bluegrass Trio and has served on the faculties of the Joiner Academy, the Toronto School for Strings, Play Week, Summertrios, and the Chamber Music Conference at Bennington. He is also the author of Toquemos el Violín, and is the inventor of the Don’t Fret Finger Position Indicator.
 


 
Leonard Felberg, Professor Emeritus of Violin at the University of New Mexico, has had a distinguished and varied career in Europe, Latin America, Mexico and the United States. After receiving the Bachelor and Masters degrees from Yale University, where he was awarded the Horatio Parker Fellowship, he joined the Seventh Army Symphony, where he was featured soloist on tours of France, Germany and Luxembourg. After leaving the service, Professor Felberg joined the Concertgebouw Orchestra of Amsterdam for three years. He has held positions in the Berkshire Quartet, the Seraphin Trio, the University of Georgia Trio and the Toledo String Quartet, which won a medal at the Geneva International Competition. Mr. Felberg was Concertmaster of the Santa Fe Symphony for 24 years and appeared as featured soloist with them, with the New Mexico Symphony Orchestra and the Porto Alegre Symphony of Brazil. Professor Felberg has also held teaching positions at the University of Georgia, University of Syracuse and University of Toledo. In addition, he has taught workshops and master classes throughout the United States and Brazil. Many of his students have gone on to brilliant careers at major universities, and orchestras.
 

Cellist Charles Forbes grew up in Cambridge, Massachusetts, and received degrees from Harvard College and Manhattan School of Music. His principal cello teachers were Maurice Eisenberg and Bernard Greenhouse. He also studied cello with Luigi Silva and Pablo Casals, chamber music with Leonard Shure, and conducting with Jonel Perlea. His orchestra life has included playing principal cello with the American Symphony under Leopold Stokowski, the Buffalo Philharmonic, the Princeton Chamber Orchestra, the Springfield Symphony, and the Vermont Symphony. Mr. Forbes has given four solo recitals at Carnegie Recital Hall, and he played for 30 years with the New York Camerata, a chamber group with which he toured widely and recorded several discs. That group commissioned many new works from American composers, including George Crumb’s “Voice of the Whale.” He has also played with the Chancellor and Windsor (Vermont) String Quartets, and in Philadelphia with the Network for New Music, Relache, the Philadelphia Camerata and Orchestra 2001. Charles Forbes has been on the faculties of Smith, Amherst and Mt. Holyoke colleges, Exeter Academy, the Manhattan School of Music, and the University of Delaware. He teaches privately and at the Settlement Music School.
 

Violist Kim Foster is a graduate of the Yale School of Music and is a frequent guest artist in demand across multiple genres with New York’s preeminent chamber ensembles from the Alaria Chamber Ensemble at Weill Hall to the FLUX Quartet at Roulette in Brooklyn. Passionate about psychology and well-being for the creative artist, Kim is a pioneer graduate of the first Certificate in Applied Positive Psychology course through the New York Open Center, and is the first classical musician to receive this certification. Her work with Positive Psychology translates to the field of music through Peak Performance topics. Kim serves as a faculty member of several chamber music workshops, including Summertrios, Princeton Playweek, Summer String-In and Music, Etc. She has also been a guest lecturer at both the Juilliard School and The Mannes School of Music in NY, speaking on private teaching studio creation as well as positive psychology and peak performance for audition preparation. She is designing a new course entitled Entrepreneurship 2.0 which combines positive psychology and entrepreneurship for today’s professional artists.
 


 

Cellist Julia Goudimova was born in Moscow. She began studying piano at the age of five and cello at the age of seven. After nine years of music school she studied at Tiraspol College of Music with Prof. G. A. Balykbaev. Julia received her master’s degree from Belarus Academy of Music under the instruction of E. L. Ksaveriev, professor of cello, who was a student of M. Rostropovich and N. Gutman. She has performed in recitals and chamber music concerts in Belarus, Moldova, Germany, South Korea, Bahrain and Saudi Arabia. Since moving to the United States, Julia has been actively participating in the music life of Western Virginia and is involved in symphony orchestra and chamber music performances in Lexington, Roanoke, Lynchburg, and Buena Vista, as well as Bath and Rockbridge Counties. Currently Julia is principal cellist of the University-Shenandoah Symphony Orchestra and a cello instructor at Washington and Lee University and Southern Virginia University.


An accomplished performer, collaborator, teacher and instrumentalist, cellist Katharine Knight co-founded the Colorado-based Da Vinci Quartet, with whom she performed and recorded extensively from 1980 to 2005. For the past two decades she has coached string quartets and other chamber ensembles as a member of the faculty of the University of Denver’s Lamont School of Music. She has served as a faculty member at the University of Colorado, Colorado Springs and Colorado College as well as teaching as a visiting artist at many colleges and universities throughout America while on tour. Her advocacy for chamber music engagement extends to musicians of all levels of expertise and age. While maintaining a private studio of adult cello students, she supports avocational as well as professional ensemble work, coaching groups from many of the Denver area orchestras, such as Evergreen Chamber Orchestra, the Arapahoe and Denver Philharmonic Orchestras.
 



 
For eighteen years, Margaret Miller was violist of the Da Vinci Quartet, touring throughout the United States. The quartet won both the Naumburg and Shostakovich Quartet Competitions and recorded the chamber music of Arthur Foote and Charles Martin Loeffler for Naxos American Classics. She holds degrees from Indiana University and the University of Wisconsin-Milwaukee and a certificate from the Chamber Music Institute at the University of Wisconsin-Milwaukee. Current positions include Assistant Professor of Viola and Chamber Music at Colorado State University, performance faculty at Pikes Peak Community College and the Colorado Springs Conservatory. Ms. Miller received the 2010 Outstanding Teacher Award from the Colorado American String Teachers Association, Inc.
 

Flutist Jayn Rosenfeld plays with the League of Composers/ISCM Ensemble and the Washington Square Contemporary Music Society.  She has taught flute at Princeton University for more than 35 years, and coaches chamber music there, runs PUO wind rehearsals, and performs with the Richardson Chamber Players, the faculty instrumental ensemble.  She formed and led the Flute Workshop at Greenwich House for nearly a decade, and conducts flute workshops privately.  Ms. Rosenfeld was the flutist and executive director of The New York New Music Ensemble for many years, and first flute of the Princeton Symphony Orchestra.  She gives master classes in flute and chamber music at Westminster Choir College , around the country and abroad, most recently in Phnom Penh, Cambodia and. Notre Dame University.  She has recorded concerti by Cimarosa, Steiger, Kraft, Gilbert, et al,  the flute chamber music of Albert Roussel, and many contemporary chamber works and is active on the boards of the League of Composers and the New York Flute Club.
 

Violinist Sebu Sirinian was born in Bucharest, Romania, and has toured internationally. He held residences at Queens College, Bard College, and the Turtle Bay Music School as the first violinist of the award-winning Meridian String Quartet. He has won distinctions at the Evian International Competition and Chamber Music America and has performed chamber music with Paul Neubauer, Seymour Lipkin, Daniel Phillips, and William Sharp. He has performed as soloist with the New York Chamber Orchestra, Bach Aria Festival Orchestra, and the Barbad Chamber Orchestra.  Mr. Sirinian has performed as a principal player for the American Symphony Orchestra, Stamford Symphony, and the Princeton Chamber Orchestra, and is a member of Brooklyn Philharmonic and Amici New York. He is on the faculty of the New York Youth Symphony Chamber Music Program and has been heard on WQXR and WNYC. His chamber music recordings can be heard on LRC, Liquid Silver, Midder Music Records, Capstone, and Arizona Records. Sebu Sirinian earned his BA and MA from the Juilliard School, and has studied with Joey Corpus, Ivan Galamian, Lewis Kaplan, Joyce Robbins, Gerald Beal, and the Juilliard Quartet.
 

Violist Willy Sucre is a member of the New Mexico Philharmonic and the driving force behind the “Willy Sucre & Friends” concerts. Born in La Paz, Bolivia, Sucre studied at the Conservatorio Nacional de Musica in La Paz, Colby College Chamber Music Institute in Waterville, Maine, Mannes School of Music in New York, and the Peabody Conservatory in Baltimore, Maryland. He has been conductor and Music Director of the Albuquerque Philharmonic Orchestra, assistant conductor and principal viola of the Canada Symphony Orchestra in Montreal, assistant conductor and assistant principal viola of the New Mexico Symphony Orchestra, principal viola and guest conductor of the National Symphony of Bolivia, the Chamber Orchestra of La Paz, and the Albuquerque Chamber Orchestra. As a chamber musician, Sucre was the founder of the Cuarteto Boliviano and for ten years the violist of the Helios String Quartet. He has performed, recorded, and lectured throughout South, Central and North America. Sucre frequently travels to South America to find new works of chamber music by modern composers and to encourage composers both here and in South America to write new pieces.
 


 

Violinist, Lisa Tipton, a vibrant, versatile musician, contributes as a performer, educator mentor, arts administrator and advocate. The seed for Lisa's love of chamber music germinated while growing up in a musical family. After several years studying science at Cornell University, the seed sprouted and blossomed when she caught the chamber music bug one summer at Kneisel Hall. Lisa, co-founder of the award-winning Meridian String Quartet, has toured internationally, held residencies and has won distinctions from the Evian International Competition, Artists International, and Chamber Music America. As a devoted interpreter of new music, Ms. Tipton established the "Made in America" series at Weill Recital Hall at Carnegie Hall. This season Lisa, along with colleagues Adrienne Kim and Lisa Kozenko, launched the The NY Chamber Music CoOP, a new creative performance collaborative in New York City. Lisa's critically acclaimed recording of the Ives' violin sonatas was released in 2006 on Capstone Records. She is the Director of the New York Youth Symphony Chamber Music Program and on the faculty of The School for Strings and New York Summer Music Festival. She earned a B.A. from Cornell University, an M.A. from the Aaron Copland School of Music at Queens College, and is currently a D.M.A. candidate at the CUNY Graduate Center. Photo: Noah O'Leary

Violinist Masako Yanagita, winner of top-honors in international competitions including Paganini (Italy), Munich (Germany) and Carl Flesch (England), has concertized around the world. At present, she is the concertmaster of the Springfield Symphony Orchestra in Massachusetts as well as the Queens Symphony in New York and is active as a chamber musician, teacher, and coach. She has performed at many chamber music festivals including frequent appearances at Mohawk Trail Concerts. Masako coaches chamber music at the Bennington Chamber Music Conference, Greenwood Music Camp and Princeton Play Week. Masako beginning her violin studies in Japan, she came to the United States on Fulbright and J.D. Rockefeller III Grants to study with William Kroll at The Mannes College of Music. She has recorded many chamber music and solo works, including the entire Schubert repertoire for violin/viola and piano with her late husband, pianist Abba Bogin, as well as two Schumann piano trios with the West End Trio (both for Town Hall Records). She resides in both New York City and Charlemont, MA.